米奇(迪倫?奧布萊恩Dylan O'Brien 飾)本是一位非常普通的美國青年,成長在一個幸福的家庭之中,有一個甜蜜交往的女友。然而,一場意外奪走了米奇父母的生命,讓他淪為孤兒,米奇的女友也在恐怖襲擊中喪生,幾乎是在霎時之間,米奇失去了他生命里所有重要的人。 中情局副主管艾琳(桑娜?萊瑟Sanaa Lathan 飾)同情于米奇的慘痛遭遇,決定給他一次報仇的機會,于是將他招募進了一個行動小組,負責訓練米奇的小組組長是冷戰時期的戰斗經營斯坦(邁克爾?基頓 Michael Keaton 飾)。很快

米奇(迪倫?奧布萊恩Dylan O'Brien 飾)本是一位非常普通的美國青年,成長在一個幸福的家庭之中,有一個甜蜜交往的女友。然而,一場意外奪走了米奇父母的生命,讓他淪為孤兒,米奇的女友也在恐怖襲擊中喪生,幾乎是在霎時之間,米奇失去了他生命里所有重要的人。 中情局副主管艾琳(桑娜?萊瑟Sanaa Lathan 飾)同情于米奇的慘痛遭遇,決定給他一次報仇的機會,于是將他招募進了一個行動小組,負責訓練米奇的小組組長是冷戰時期的戰斗經營斯坦(邁克爾?基頓 Michael Keaton 飾)。很快
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阿昆(劉德華飾)長年壟斷了海洛因市場,雖視追隨8年多的阿力(吳彥祖飾)為接班人,但阿昆一向小心行事,從沒透露過“貨倉“、加工場的位置也未見過其他“同事”。阿昆打算把自己的生意全權交由阿力打理,阿力漸漸知道了更多毒品市場中的秘密。 8年來阿力以臥底的身份搜集毒販的全部資料,但他對吸毒者阿芬(張靜初飾)投入了感情,阿芬的景況卻令他對自己邊緣人的身份感到更加迷惘。 斗志斗勇的過程中,阿力最終取得了阿昆的完全信任,8年來的追蹤,也有了終結。

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Synopsis Do-seong (Yoo Min) is a child monk who lives at a small mountain temple with the head monk (Byeon Ki-jong), learning the teachings of Buddha. He becomes attached to a young widow (Choi Eun-hee) who comes to pray at the temple, and the childless widow entreats the head monk to let her raise Do-seong as her own son. Conflict ensues when Do-seong's real mother (Kim Seon-young) appears, but she leaves the temple for the sake of her son's future. On the day the widow is to take the child down from the mountain, the head monk discovers that Do-seong has killed a bird by ensnaringit in a trap and decides not to let the boy go into the secular world. When Do-seong finds out that his real mother has been to the temple, he sets out to find her. Notes A film that has garnered recognition for its cinematography and direction by eliminating sentimentality and unaffectedly capturing the quiet life of a mountain temple. A Hometown in Heart demonstrates the camera technique and directorial skill of movies that appeared after the liberation of Korea. A Hometown in Heart, adapted from playwright Ham Se-deok's A Little Monk (Dong-seung), was hailed upon its release as a masterpiece that marked a new pinnacle in Korean moviemaking after the liberation. Eschewing new-school sentimentality to quietly express a boy's longing for maternal love, the film unfolds the everyday lives of three generationsthe head monk, a young monk, and a little child monkagainst the backdrop of a quiet temple in the mountains. The long shots utilized by director of cinematography Han Hyung-mo to capture the beautiful scenery of the mountain temple from a distance received great critical acclaim at the time. Also, each of the film's characters is convincingly portrayed through the skillful direction of Yoon Yong-kyu. In particular, the scene which expresses Do-seong's desperate yearning for a mother's love and his birth mother's past visit to the temple by combining them into a dream sequence reveals deep consideration for articulating story and emotion via a compressed visual grammar without tending toward sentimentalism. The movie's final scene, in which Do-seong awakens from his dream and sets off down the path in search of his mother, is both touching and beautiful. The film also features Choi Eun-hee, in the part of the young widow who warmly embraces Do-seong with her love, in one of her first roles. Afterword - Lee Kang-su, writing under the pseudonym of Kwak Il-byeong, first adapted playwright Ham Se-deok's A Little Monk (Dong-seung) into a screenplay, which was then shot for the silver screen with additional embellishments by the director.
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