國色天香綜合視頻一區

外媒為第十代寶可夢出謀劃策：建議回歸世界錦標賽！

“濱企創世界”之濱州市經貿代表團走進日本、馬來西亞

安徽人12月份游覽黃山、齊云山等4景區免門票

Fourteen-year-old Farha dreams of attending school in the city with her best friend Farida, but she knows that, as the daughter of the mukhtar (the head of the village, played by Ashraf Barhom), she is in for an uphill battle against tradition. Girls Farha’s age are expected to marry. It’s 1948, and British control over Palestine is coming to an end. What Farha and her father do not yet know is that forced displacements are already happening across the region. When Israeli bombs reach their village, Farha’s father locks her in the cellar of their home, promising to return as soon as he can. While Farha waits and watches through the cracks, the village she was so excited to leave is transformed to ruin, threatening an end to the future she had planned and leaving only trace memories in its wake. A dauntless and compelling feature debut by Jordanian filmmaker Darin J. Sallam, Farha captures both the isolating terrors of war and the lingering beauty that can colour recollections of dispossession — a mental record of the last laugh shared, the faint smell of freedom before the void of exile. An impressive lead performance from newcomer Karam Taher punctuates catastrophic loss with uncompromising determination. In this remarkable and devastating story, Sallam’s resonant directorial voice presents a penetrating perspective on the Nakba and returns the gaze to a cultural legacy in the midst of a global resurgence.

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從實驗室到千萬家：曾運雄教授與AKK菌的二十三年，改寫人類健康的“腸道密碼”

從“嘗到甜頭”到“血本無歸”：充值返利詐騙揭秘

CBA夏季聯賽東營站山東男籃兩勝一負，陳林堅“小考”過關

陜西省發布“立冬”健康提示： 區分流感與感冒 防寒保暖與科學養生并重