內緣奇緣在線閱讀

外交部發言人就俞孔堅教授在巴西墜機遇難答記者問

面包車意外滾落50米山溝 一車六人被困谷底 淄博消防上演“極限營救”

喜氣洋洋慶佳節 軍營新春氛圍濃

A loving film tribute to Russian filmmaker Larisa Shepitko, who died tragically in a car accident in 1979 at the age of 40. This documentary by her husband, Elem Klimov, includes excerpts from all of Shepitko's films, and her own voice is heard talking about her life and art. Elem Klimov's grief-stricken elegy Larisa examines the life of his late wife—the film director Larisa Shepitko—through a series of direct-address interviews and photomontages, set against a mournful visual-musical backdrop. Typically, Klimov films his subjects (which include himself and several of Shepitko's collaborators) within a stark, snow-covered forest, its tangled web of trees standing in as metaphorical representation of a perhaps inexpressible suffering, the result of Shepitko's premature death while filming her adaptation of Valentin Rasputin's novella Farewell to Matyora. Interweaving home movie footage with sequences from Shepitko's work (Maya Bulgakova's pensive plane crash reminiscence from Wings takes on several new layers of resonance in this context), Larisa's most powerful passage is its first accompanied by the grandiose final music cue from Shepitko's You and I, Klimov dissolves between a series of personal photographs that encompass Larisa's entire life, from birth to death. This brief symphony of sorrow anticipates the cathartic reverse-motion climax of Klimov's Come and See, though by placing the scene first within Larisa's chronology, Klimov seems to be working against catharsis. The pain is clearly fresh, the wound still festering, and Klimov wants—above all—to capture how deep misery's knife has cut.

貴州·人物 茍家坪：十年公益路 一片助學情

老人走失31小時 合肥公交愛心接力助團圓

Pong和Bee時隔9年再度合作。這部劇是翻拍臺劇《犀利人妻》,該劇大致就是講：丈夫出軌妻子表妹，妻子在帥氣多金的男2的幫助下華麗轉身逆襲的故事。

“私域直播間”豈能異化為“私欲收割間”

國產《明末》下周亮相夏日游戲節：海外玩家很期待！