石家莊學院第二屆實驗室安全宣傳周啟幕
花溪區“筑銀領”志愿服務隊開展“愛鳥護鳥”宣傳活動
Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy... Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time. Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as Fran?ois Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma fran?ais in 1958. Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading. Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.
一畢業就結婚、一結婚就生子的“畢婚族”90后萌媽安安，在兒子5歲的時候被迫終結全職太太的清閑生活。她沒能逃脫“畢婚族”大多失婚的詛咒，成了單身媽媽，被打入谷底。一場車禍，把還沒結過婚的律政界翹楚許朗變成了80后單身爸爸，他本想一輩子守住車禍的秘密，帶著5歲的女兒過平靜的生活，卻意外結識了安安母子，曾波瀾不驚的生活變得雞飛狗跳。截然不同的兩個家庭在誤會和和解之間互相治愈，安安實現了成為漫畫家的夢想、成為了兒子的榜樣。許朗建起了屬于自己的律師樓，成為了女兒心中滿分的爸爸。最終，兩家人變成了一家人，收獲了全新意義上的幸福人生。他們經歷過許多次第一次挫折后，爬起后，成長后，才發現第二次也很美。
聖凱、小蟲、詠婷，三人熱愛音樂，志同道合，高中時組成的演唱團體—「聖甲蟲」，但卻因小蟲突然離開人世，一切都變了調。趁著畢業，聖凱爸媽邀請詠婷和朋友們一起到南部散心，卻不小心發現網路上傳說的神奇空間「萬德浮史貝斯A Wonderful Space」，聖凱他們能見到小蟲解開自己的心結嗎？
伊朗媒體：伊方擊中以色列14個戰略軍事目標
阿聯酋迪拜人傳媒主編毛一鳴：大灣區天生有出海基因 海外華媒有優勢助力企業出海
世運會奪金后，吉林倆姑娘那么說！
華爾泰等成立新材料產業研究院公司
韓國漁船翻沉事故致5死5失蹤，搜救工作進入第二天