泰柬邊境地區再次發生交火
《東北插班生》講述了東北黑道之子王虎轉學到臺灣一所問題高中，無意間撞壞高校總長交接儀式，得罪臺北高校老大，而由于王虎個性鮮明及南北文化差異，東北熱血少年與臺灣艋舺少年之間碰撞出一系列爆笑故事。影片
獨居老人遇“外孫女車禍”？銀行合力勸阻保住養老錢
南京市首家銀行系科創金融服務中心正式開業——首筆“寧創-人才貸”成功發放
楊婉秋懷有成名成角兒的夢想，但是遭到大帥情人白惠的嫉妒和打壓，白慧找來小混混折磨她，她為了求得生存，與狐仙達成合作，讓狐仙附身在自己身上，幫助自己殺死白慧，獲得大帥的支持和喜愛，借助大帥成角兒成名
秦皇島市北戴河區開展“我們的節日·中秋”系列活動
停止運動后 肌肉原地變肥膘？
繼影圈發生銀雞案后不久，娛樂圈再傳出影星買淫事件，事件主角Rebekah因而名噪一時，轟動全港，雖然她巧妙地避開傳媒的追捕，但報刊對她的不公平報道和假道學的輿論、親朋的白眼，使她領會到人間無情。她在怒氣難消的心境下，實行爆料手段，現身訴說圈中丑聞，男盜女娼，爾虞我詐。本片以瘋狂搞笑手法、揭盡女明星、男藝員如何出鐘交易，知名人士、公子哥兒不見得光的惡行，在花花世界內，帶著人皮假面具，亦難遮擋著他們的貪婪和丑惡本性。
免費頭療送呵護 便民服務暖人心
Synopsis Do-seong (Yoo Min) is a child monk who lives at a small mountain temple with the head monk (Byeon Ki-jong), learning the teachings of Buddha. He becomes attached to a young widow (Choi Eun-hee) who comes to pray at the temple, and the childless widow entreats the head monk to let her raise Do-seong as her own son. Conflict ensues when Do-seong's real mother (Kim Seon-young) appears, but she leaves the temple for the sake of her son's future. On the day the widow is to take the child down from the mountain, the head monk discovers that Do-seong has killed a bird by ensnaringit in a trap and decides not to let the boy go into the secular world. When Do-seong finds out that his real mother has been to the temple, he sets out to find her. Notes A film that has garnered recognition for its cinematography and direction by eliminating sentimentality and unaffectedly capturing the quiet life of a mountain temple. A Hometown in Heart demonstrates the camera technique and directorial skill of movies that appeared after the liberation of Korea. A Hometown in Heart, adapted from playwright Ham Se-deok's A Little Monk (Dong-seung), was hailed upon its release as a masterpiece that marked a new pinnacle in Korean moviemaking after the liberation. Eschewing new-school sentimentality to quietly express a boy's longing for maternal love, the film unfolds the everyday lives of three generationsthe head monk, a young monk, and a little child monkagainst the backdrop of a quiet temple in the mountains. The long shots utilized by director of cinematography Han Hyung-mo to capture the beautiful scenery of the mountain temple from a distance received great critical acclaim at the time. Also, each of the film's characters is convincingly portrayed through the skillful direction of Yoon Yong-kyu. In particular, the scene which expresses Do-seong's desperate yearning for a mother's love and his birth mother's past visit to the temple by combining them into a dream sequence reveals deep consideration for articulating story and emotion via a compressed visual grammar without tending toward sentimentalism. The movie's final scene, in which Do-seong awakens from his dream and sets off down the path in search of his mother, is both touching and beautiful. The film also features Choi Eun-hee, in the part of the young widow who warmly embraces Do-seong with her love, in one of her first roles. Afterword - Lee Kang-su, writing under the pseudonym of Kwak Il-byeong, first adapted playwright Ham Se-deok's A Little Monk (Dong-seung) into a screenplay, which was then shot for the silver screen with additional embellishments by the director.