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主角巖森明在其妻子的故鄉宇都川村尋找他失蹤的妻子瞳及其女兒愛子。停留期間，大雨襲擊了周邊地區，村子陷入孤立的狀態。不久，發生了一個年輕人被殺的事件，不信任和不安開始籠罩整個村莊，除了有影響力的氏族的對立之外，憤慨的年輕人與成年人之間的代際對立也逐漸加劇。 全村隨著陷入蕭條的日子日益臨近，年輕人的暴發能量高漲到最高峰。在這個人們沸騰的絕望之村里，巖森能否在這個絕望的村莊里重溫他的家人和他的過去？

出借企業網銀U盾，竟成洗錢幫兇！恒豐銀行“連環計”巧破詐騙“局中局”

夢幻西游：175獅駝嶺，神佑千傷搭配4穿刺，堪稱三攻隊的天花板！

冬日消費添溫度 暖經濟熱起來

老人深夜走失 格格沿路尋找

Fourteen-year-old Farha dreams of attending school in the city with her best friend Farida, but she knows that, as the daughter of the mukhtar (the head of the village, played by Ashraf Barhom), she is in for an uphill battle against tradition. Girls Farha’s age are expected to marry. It’s 1948, and British control over Palestine is coming to an end. What Farha and her father do not yet know is that forced displacements are already happening across the region. When Israeli bombs reach their village, Farha’s father locks her in the cellar of their home, promising to return as soon as he can. While Farha waits and watches through the cracks, the village she was so excited to leave is transformed to ruin, threatening an end to the future she had planned and leaving only trace memories in its wake. A dauntless and compelling feature debut by Jordanian filmmaker Darin J. Sallam, Farha captures both the isolating terrors of war and the lingering beauty that can colour recollections of dispossession — a mental record of the last laugh shared, the faint smell of freedom before the void of exile. An impressive lead performance from newcomer Karam Taher punctuates catastrophic loss with uncompromising determination. In this remarkable and devastating story, Sallam’s resonant directorial voice presents a penetrating perspective on the Nakba and returns the gaze to a cultural legacy in the midst of a global resurgence.

晚會以“我與春天有個約定”為主題，立足“新起點、新征程、新拼搏”，為全國觀眾獻上一桌“高站位、有情懷、接地氣”的年味文化大餐，以溫暖觸角展現新時代首都北京的新氣象和新面貌，激勵各行各業勇毅前行，奮力譜寫中華民族偉大復興的北京篇章。

以定向之名，繪就云南體旅融合新圖景2025奔跑彩云南·尋夢古滇定向季圓滿收官

【北大名醫在青島】罕見左足“核心樞紐”距下關節脫位骨折，北大人民青島醫院骨科“院士團隊”微創手術精準復位