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The subject of Danièle Huillet and Jean-Marie Straub’s Der Tod des Empedokles (The Death of Empedocles, 1987) is the Greek pre-Socratic philosopher Empedocles (c. 490 BC – 430 BC), who lived in the Greek colony of Agrigentum in Sicily. His theories are mentioned in several of Plato’s dialogues. He maintained that all matter is made up of four irreducible elements water, earth, air and fire. A mystic and a poet, he is considered to be the founder of classical rhetoric. He is also thought to be the last Greek philosopher to write in verse; two fragments of his works survive Katharmoi (Purifications) and Peri Phuse?s (On Nature). An advocate of democracy, he came into conflict with his fellow citizens of Agrigentum and, as result, was banished with his young disciple, Pausanius. When he was asked to return, he preferred to commit suicide by throwing himself into the active volcano at Mount Aetna. The German writer Friedrich H?lderlin wrote two versions of Der Tod des Empedokles in 1798 and 1800, and a final third version in 1820, all three ultimately unfinished. They were conceived as five-act tragedies and all three differ in plot. According to Michael Hamburger, H?lderlin’s English-language translator, the main reason why H?lderlin finished no version of the play must be that he remained too closely identified with Empedocles, at the very period in his life when his own view of the poet as philosopher, prophet and priest – and as tragic hero – was subject to perpetual crisis and re-examination. Huillet-Straub’s The Death of Empedocles is based on H?lderlin’s first version (the longest of the three), whereas Black Sin is based on the third version.

《最后的棚戶人家》是一部“苦戲”，也是一部“情戲”，寫姐妹情、父女情，她們為了這種濃濃的親情而相依相戀，為情而舍棄自己的一切。 本劇并不回避棚戶區的貧窮，而把更多筆墨放在描寫棚戶人家在戰勝貧困、

平凡的少女愛是隨處可見的舞者。她一直看著自己的朋友町展現出舞者的才能并為此感到消沉，但有一天她發覺了町的才能的“秘密”。那是，被邪惡的法術變成手掌大小的天才們“惡偶”這一存在。只要持有惡偶，不論是誰都能成為天才。愛為了拯救成為制造惡偶的“裁縫師”的町，而成為了代代與裁縫師對立的“救濟者”。

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