蘅王統治下民不聊生，朝堂內外一眾有志之士結成反蘅聯盟，立下生死“衣帶詔”誓要推翻蘅王還天下以太平。蘅王命朝中高手魏侯爺找出“衣帶詔”，將名單上的反叛斬盡誅絕。白山水和謝家的大小姐謝柔均在“衣帶詔”的名單之上。謝柔弟弟謝長勝是一個吊兒郎當的敗家子，他被白山水的美貌吸引，冒充官員玄武來到客棧追求白山水，白山水陰差陽錯的誤以為謝長勝就是自己要找的玄武大人，奉命追殺玄武的“陰陽二弦”兩高手也來到客棧，謝柔也趕到了客棧。彼此的關系錯綜復雜，暗藏的危機不斷加深，各個勢力各懷鬼胎不斷僵持，加上沒正經的謝長勝鬧出了一系列荒誕又緊張的事件。
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貴州文學院“精讀堂”第93期走進普定，解密短篇小說創作
Veteran experimental filmmakers Danielle Huillet and Jean-Marie Straub helmed this unusual adaptation of a novel by Elio Vittorini. Focused on the triumphs and failures of a group of laborers and farm hands who pooled their resources to operate an alternative collective farm after the end of World War II, Operai, Contadini features a cast of 12 actors who read aloud from Vittorini's book for the duration of the film, either reciting from memory or using a clearly visible script. Hardly designed to be a crowd pleaser, Operai, Contadini proved to be controversial among the audiences for its showings at the 2001 Cannes Film Festival, where it was screened as part of the Directors' Fortnight series. ~ Mark Deming, All Movie Guide The group makes up a primitive community which seeks to erase not only the distress created by the war but also the hardships of life and hunger, and to protect them from violence, misery and fear. Amid the ruins of this post-war period, the characters build and invent a rapport both in their professional and daily lives between themselves, the sexes, generations, diverse social and geographical origins, and antagonistic political camps. The group maintains a 'register', a kind of diary, as if it were entering the minutes of an inquiry or a trial. -Steve Grayson my favorite Straub-Huillet films are Too Early, Too Late and Operai, contadini (2001), both color landscape films with especially acute senses of place as well as of nature in all its harsh beauty. - Jonathan Rosenbaum
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