夏目誠一經營著一家名叫Mellow的花店，他做著自己喜歡的工作，過著安穩的單身生活。有時候，夏目的姐姐會在她女兒不去上學的日子里把女兒寄養在他這兒，有時則會讓瀕臨倒閉的拉面店店主木帆幫忙照顧。附近理發店老板的女兒，還是中學生的宏美其實一直偷偷喜歡著夏目。花店里來來往往著許多客人，有一天，熟客麻里子向誠一表白了心意，而麻里子的丈夫也在現場…… 這一出戀愛群像喜劇中，他們的戀情將會走向何處？
《同桌的你》民謠歌會圓滿落幕 用音樂喚醒一代人的青春記憶
A loving film tribute to Russian filmmaker Larisa Shepitko, who died tragically in a car accident in 1979 at the age of 40. This documentary by her husband, Elem Klimov, includes excerpts from all of Shepitko's films, and her own voice is heard talking about her life and art. Elem Klimov's grief-stricken elegy Larisa examines the life of his late wife—the film director Larisa Shepitko—through a series of direct-address interviews and photomontages, set against a mournful visual-musical backdrop. Typically, Klimov films his subjects (which include himself and several of Shepitko's collaborators) within a stark, snow-covered forest, its tangled web of trees standing in as metaphorical representation of a perhaps inexpressible suffering, the result of Shepitko's premature death while filming her adaptation of Valentin Rasputin's novella Farewell to Matyora. Interweaving home movie footage with sequences from Shepitko's work (Maya Bulgakova's pensive plane crash reminiscence from Wings takes on several new layers of resonance in this context), Larisa's most powerful passage is its first accompanied by the grandiose final music cue from Shepitko's You and I, Klimov dissolves between a series of personal photographs that encompass Larisa's entire life, from birth to death. This brief symphony of sorrow anticipates the cathartic reverse-motion climax of Klimov's Come and See, though by placing the scene first within Larisa's chronology, Klimov seems to be working against catharsis. The pain is clearly fresh, the wound still festering, and Klimov wants—above all—to capture how deep misery's knife has cut.
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