最新資訊_“黑人萌道BBwBBB”-梳理天下新聞

Due to some common interests between German and Russian aristocracy ( the Russians even had aristocrats in their past not to mention they had an Empress called Catherine the Great, as great as this German count's heiresses… ), it is not strange that this Teutonic count has understood and even enjoyed Herr S. M. Eisenstein's Staroye I Novoye. It is not very usual that for the aristocracy to enjoy Bolshevist films full of proletarian demands that put private property at risk or as it happens in this case, a film about the Communist Party's policy on the subject of the collectivization of the Soviet agriculture. Normally this would be perfect gibberish for this German count, but thanks to Herr Eisenstein 's greatness and directorial talent, the hardships of the heroine of the film, Dame Marfa ( Dame Marfa Lapkina ) breached even the thick aristocratic Schloss walls. And that's one of the first remarkable aspects of this oeuvre; in spite of the political subject of the film, the powerful images and lyricism ( astonishing and beautiful shot compositions ), especially during the first part of the movie, preserve the artistic merits entirely while serving a propaganda purpose. The second remarkable aspect of the film is the dichotomy between the old and new, the fight to improve the lot of Dame Marfa and her countrymen. There are many discussions because it is not easy even in Russia to change ancient and conservative customs. There are superb metaphors and social criticism ( illiteracy, bureaucracy, religiosity ) which perfectly fit the film, and last but not least, Staroye I Novoye, is a kind of archaic documentary about ancient customs established deeply in old Russia, those ones that our heroine must fight against. And there is also a lot about agriculture ( very enlightening for this German count), especially about harvesting and how to fatten Russian cows or pigs ( literally, no pun here… ). Herr Eisenstein had to bear during the last era of his film career, unbelievable censorship and mutilation of his work, as happens with Staroye I Novoye. The film was reedited and Eisenstein accused of sympathizing with Trostky's policies but fortunately the film was restored and showed by the German-frenchified t.v. channel ARTE, natürlich!, including an evocative music score by Herr Taras Bujewski, that fits superbly Herr Eisenstein primal artistic interests. And now, if you'll allow me, I must temporarily take my leave because this German Count must buy a tractor for one of his Teutonic heiress.

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高滿堂繼《闖關東》、《北風哪個吹》后，以精準的觸覺，直面老年人的生存狀態，講述了一對夫妻贍養了7對老人的感人故事，有真情，有辛酸，也有輕松幽默。 據了解，故事原型來源于哈爾濱一位市民，他贍養了十多位爹娘的故事。故事圍繞熱心腸、幽默又饒舌的養殖場工人曹端午展開，因為生父生母離異后，分別再婚又再婚，所以無形中，曹端午有了14個爹娘。曹端午為幾個爹娘和他們兒女的事兒操碎了心、跑斷了腿。期間妻子宋丹紅還因此向他提出離婚...... 據介紹，在劇中扮演曹端午媳婦宋丹紅的是吉林籍演員閻學晶。在劇中，姜武演的曹端午是一名養殖海帶的工人，宋丹紅是一個醫院護士。而14個爹娘的扮演者幾乎個個都是名角，張少華、韓影、馬精武、馬恩然、魏宗萬等一批老藝術家的名字赫然出現在名單中。 擁有熱心腸，幽默又饒舌的養殖場工人曹端午，因為生父生母離異后，又分別再婚，因此形成了有四個爹媽的現狀。妻子宋丹紅是私立醫院的護士，說話嘴上不饒人，卻有口無心。兒子洋洋正讀小學，有乃父之風，頗具幽默感。宋丹紅刀子嘴豆腐心，擠兌曹端午掙錢不多，本事不大，卻成天為幾個爹媽的事忙來忙去，甚至還要幫他們的兒女的忙。漲工資，搞演出，找工作，尋奇石，拉贊助，治心病……

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