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1968年12月10日，一名假冒警察的嫌疑人謊稱一輛運鈔車上裝有炸彈，隨后開著滿載日元的運鈔車逃之夭夭。在此后的15年間，日本警方動員12萬人以及三倍于被劫款項的經費追查兇手，卻始終沒有收獲。刑事訴訟時效剛過，為此案賠付了50萬美元的美國保險公司大發雷霆，旋即派出旗下經驗豐富的日裔查勘部長武田秀哉（田村正和 飾），前往日本追查嫌疑人下落。在亞洲調查公司調查員中岡涼子（余貴美子 飾）和高原薰（段田安則 飾）的協助下，武田重新走訪案發現場和相關人員，并將目光鎖定在案發后不久服用氰化鉀自殺的問題青年濱野健次。隨著調查的進行，重重黑幕阻擋著他們的去路…… 本片由著名推理作家松本清張根據真實事件創作的小說改編。
青春禮贊先師，禮樂傳承文脈
A loving film tribute to Russian filmmaker Larisa Shepitko, who died tragically in a car accident in 1979 at the age of 40. This documentary by her husband, Elem Klimov, includes excerpts from all of Shepitko's films, and her own voice is heard talking about her life and art. Elem Klimov's grief-stricken elegy Larisa examines the life of his late wife—the film director Larisa Shepitko—through a series of direct-address interviews and photomontages, set against a mournful visual-musical backdrop. Typically, Klimov films his subjects (which include himself and several of Shepitko's collaborators) within a stark, snow-covered forest, its tangled web of trees standing in as metaphorical representation of a perhaps inexpressible suffering, the result of Shepitko's premature death while filming her adaptation of Valentin Rasputin's novella Farewell to Matyora. Interweaving home movie footage with sequences from Shepitko's work (Maya Bulgakova's pensive plane crash reminiscence from Wings takes on several new layers of resonance in this context), Larisa's most powerful passage is its first accompanied by the grandiose final music cue from Shepitko's You and I, Klimov dissolves between a series of personal photographs that encompass Larisa's entire life, from birth to death. This brief symphony of sorrow anticipates the cathartic reverse-motion climax of Klimov's Come and See, though by placing the scene first within Larisa's chronology, Klimov seems to be working against catharsis. The pain is clearly fresh, the wound still festering, and Klimov wants—above all—to capture how deep misery's knife has cut.
泰安市崇信學校2025年新生迎新典禮圓滿落幕