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山西太行山麓寨影溝大隊，富農出身的趙有才自從當了大隊會計以后，表面上很積極，背后卻干著不可告人的勾當，隊里一直懷疑他盜竊隊里的小麥，但一直沒有抓住證據。群眾有意見，在大隊的黑板報用打油詩批評他：“當會計，有意義，坐在屋里不下地，打打算盤拿拿筆，現成糧食送家里，說是干部算干部，說是懶漢也可以。”趙有才看了十分生氣，找到黨支部書記周老實訴苦，周書記對趙的假相早有戒備，對其進行了嚴厲的批評。趙心里不服氣把賬本交給周書記，甩手而去。正巧接替趙有才工作的姜喜喜來到大隊部，使趙有才為之一震。姜喜喜是趙有才的姐夫，原來是田家川大隊社員，抗日戰爭時期在八路軍當過炊事員，立場堅定，愛憎分明。他來到寨影溝大隊后，趙有才一方面認為姜與自己是親戚關系，一方面認為姜的文化水平低，所以覺得自己的問題根本不可能暴露。姜和趙雖是親戚關系，但姜不循私情，擔任會計以后全心全意為社員服務，一邊學文化，一邊調查趙的問題。一次，隊里的落后社員劉鐵嘴，在用大稱買小稱賣做投機生意時被揭露。姜從劉使用的稱砣上發現了問題，對劉進行了嚴肅的批評教育，并且講述了解放前劉鐵嘴從小沒爹沒娘，劉的爺爺為了把劉鐵嘴拉扯大受了很多苦。后來因為欠了趙有才他爹五十吊錢還不上，趙家就硬把劉家的二畝地霸占去了，最后劉的爺爺落得挨門挨戶要飯吃。共產黨來到太行山后，他們才過上好日子。解放戰爭中劉的爺爺為了支援前線抬擔架、送軍糧，在一次戰斗中不幸犧牲。事實使劉鐵嘴受到深刻的教育，他決心改正自己的錯誤，并向大隊坦白交待自己受趙有才的唆使，做危害集體的事情。在群眾大會上，劉鐵嘴和群眾公開揭發了趙有才盜竊隊里小麥，給干部栽贓，借此煽動群眾中少數思想落后的人，鬧著要分隊并將果樹分棵到戶，企圖把老支書周老實趕下臺的陰謀。最后，趙有才在鐵的事實面前不得不低頭認罪。

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錨定“十五五”，天津這樣干！ 掃碼閱讀手機版

In a confused welter of artistic licence, this is the classical music biopic which makes 'Song to Remember'look like a masterpiece. Bogarde succeeds in diminishing the reputation of the musical colossus who spanned European music for most of the 19th Century. The absurdities of the plot, the sequoia-like quality of the acting and the prevalence of historical,musical and linguistic anachronisms combine to elevate this offering to the status of an A1 turkey.How a pianist of the stature of Bolet came to be mixed up in this fiasco can only be guessed at. The characterisation of Liszt fails to convey even a minute impression of his magnetic personality and the overwhelming effect that he had on not only his audiences, but also his pianistic rivals.Clara Schumann herself said that 'we toil over that which Liszt reads at sight!' Whilst the emphasis seems to focus on his romantic prowess,rather than his status as the greatest pianist of the century or,arguably, of all time, one feels,nevertheless, that this was an opportunity lost.