俄堪察加半島附近余震不斷 俄專家：不排除強烈余震
以實力破冰探界！“智能越野第一車” 猛士 M817助力唐古拉山科考！
外賣小哥、網絡主播集體發聲！這份文明宣言請查收
【舌尖上的魏集】魏集老鄉喊你來趕黃河大集啦
2025年“魅力江蘇 最美體育”“勇攀高峰”江蘇省攀巖俱樂部聯賽南京站圓滿舉行
世界田聯新規：女性運動員參賽須接受基因檢測以確認生物性別
A comic celebration of dreamers and their dreams, LIVING IN OBLIVION is the second film written and directed by Tom DiCillo. With a tone that teeters somewhere between Kafka and the Marx Brothers, it chronicles the hilarious misadventures of a group of people who have joined together to accomplish one of the most difficult goals imaginable - the making of a low-budget independent film. With an innovative and surprising structure that shifts fluidly between the movie being made and those making it, the film offers a rare and accurate -- if comically heightened -- look behind-the-scenes, with the people who make the scenes. How they make them -- and the fact that they manage to make them at all -- is what LIVING IN OBLIVION is all about. Starring Steve Buscemi as director Nick Reve, LIVING IN OBLIVION highlights a day on the set of Nick's film where everything that could possibly go wrong, actually does. Struggling against ever-escalating odds to maintain his integrity and his sanity, Nick is both helped and hindered by his bumbling, if well-intentioned crew, headed by his cinematographer Wolf (Dermot Mulroney), a cameraman whose leather gear suggests that he is more inspired by Billy Idol than Sven Nykvist; a leading lady, Nicole (Catherine Keener), a talented but neurotic actress who is involved in a romance and a rivalry with her leading man, Chad Palomino (James Le Gros); an iron-willed assistant director, Wanda (Danielle Von Zerneck); and, for the first time ever on-screen, a Gaffer.
促進民營經濟高質量發展·超能量的“中小微”丨品一品大運河畔的地標美食
達愈Reco22：以溫柔之力，為術后卵巢鋪就復蘇之路
家庭觀影進入IMAX時代！海信發布全球最大150英寸激光電視