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              白鹿ai人工智能造夢工廠

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              白鹿ai人工智能造夢工廠

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              左小欣(江一燕 飾)是一位小有名氣的建筑師,快樂充實而又衣食無憂的生活讓她無需拿婚姻當“飯碗”,目睹過感情脆弱的她對男人亦失去了最基本的信任。然而,隨著時間的推移,左小欣想要一個孩子了,如何跳過“男人”和“婚姻”得到“孩子”?這成為了左小欣目前正在研究的最大難題。 一次偶然中,左小欣結識了名叫查義(鄭凱 飾)節目主持人,一來二去之中,左小欣的腹中懷上了查義的骨肉,然而對于這一切以及左小欣的“陰謀”,單純懵懂的查義一無所知。一晃眼一年過去,左小欣將一切的真相告訴了查義,在震驚和憤怒的同時,血濃于水的親情

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              Since 1977, Sam Klemke has been recording himself on film, the #selfieavantlalettre. In that same year, NASA launched the Voyager with the Golden Record. Whereas NASA primarily sketches a positive picture of humanity, Klemke's honest self portraits zoom in on the individual. A special film about time, memory and what it means to be human. ‘This year will be my year, it has to be!’ Since 1977, Sam Klemke - a pioneer status updater - has looked back on ‘his year’ using video. With the illusion of progress, he hopes to encourage ‘personal growth and improvement’. Documentary maker Matthew Bate met Klemke on Facebook and became acquainted with his video 35 Years Back Through Time, a super-cut in which Klemke counts backwards from 2011 to his ambitious teenage self. Intrigued by this obsessive film project, Bate used Klemke's personal archive to create a documentary collage that feels like an intimate road trip, with Klemke providing valuable lessons about time. Along the way, he dismantles the dream of success and happiness. Klemke's self-mockery and honesty give the whole thing a light, breezy feel. Through this, Bate interweaves NASA’s Golden Record Project which, just like Klemke’s video project, was launched in 1977. This juxtaposition creates a reflection in which Bate sketches the comprehension of time and self-documenting stories as an inherent human need.

              本片改編自同名漫畫,講述了年齡和想法都完全不同,但有著“無法坦誠面對自己”這一共同點的兩人,為了人們的“感情遺留”而四處奔走,從而開始直面自我,在相互影響中成長,最終創造出意想不到的奇跡。

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