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Voice 1 (male professional announcer type) This neighborhood(1) was made for the wretched dignity of the petty bourgeoisie, for respectable occupations and intellectual tourism. The sedentary population of the upper floors was sheltered from the influences of the street. This neighborhood has remained the same. It was the strange setting of our story, where a systematic questioning of all the diversions and works of a society, a total critique of its idea of happiness, was expressed in acts. These people also scorned subjective profundity. They were interested in nothing but an adequate and concrete expression of themselves. Voice 2 (Debord, monotone) Human beings are not fully conscious of their real life - usually groping in the dark; overwhelmed by the consequences of their acts; at every moment groups and individuals find themselves confronted with results they have not wished. Voice 1 They said that oblivion was their ruling passion. They wanted to reinvent everything each day; to become the masters and possessors of their own lives. Just as one does not judge a man according to the conception he has of himself, one cannot judge such periods of transition according to their own consciousness; on the contrary, one must explain the consciousness through the contradictions of material life, through the conflict between social conditions and the forces of social production. The progress achieved in the domination of nature was not yet matched by a corresponding liberation of everyday life. Youth passed away among the various controls of resignation. Our camera has captured for you a few aspects of a provisional microsociety. The knowledge of empirical facts remains abstract and superficial as long as it is not concretized by its integration into the whole ” which alone permits the supersession of partial and abstract problems so as to arrive at their concrete essence, and implicitly at their meaning. This group was on the margins of the economy. It tended toward a role of pure consumption, and first of all the free consumption of its time. It thus found itself directly engaged in qualitative variations of everyday life but deprived of any means to intervene in them. The group ranged over a very small area. The same times brought them back to the same places. No one went to bed early. Discussion on the meaning of all this continued... Voice 2 Our life is a journey ” In the winter and the night. ” We seek our passage...? Voice 1 The abandoned literature nevertheless exerted a delaying action on new affective formulations. Voice 2 There was the fatigue and the cold of the morning in this much-traversed labyrinth, like an enigma that we had to resolve. It was a looking-glass reality through which we had to discover the potential richness of reality. On the bank of the river evening began once again; and caresses; and the importance of a world without importance. Just as the eyes have a blurred vision of many things and can see only one clearly, so the will can strive only incompletely toward diverse objects and can completely love only one at a time. Voice 3 (young girl) No one counted on the future. It would never be possible to be together later, or anywhere else. There would never be a greater freedom. Voice 1 The refusal of time and of growing old automatically limited encounters in this narrow, contingent zone, where what was lacking was felt as irreparable. The extreme precariousness of the means of getting by without working was at the root of this impatience which made excesses necessary and breaks definitive. Voice 2 One never really contests an organization of existence without contesting all of that organization's forms of language. Voice 1 When freedom is practiced in a closed circle, it fades into a dream, becomes a mere representation of itself. The ambiance of play is by nature unstable. At any moment ordinary life? can prevail once again. The geographical limitation of play is even more striking than its temporal limitation. Any game takes place within the contours of its spatial domain. Around the neighborhood, around its fleeting and threatened immobility, stretched a half-known city where people met only by chance, losing their way forever. The girls who found their way there, because they were legally under the control of their families until the age of eighteen, were often recaptured by the defenders of that detestable institution. They were generally confined under the guard of those creatures who among all the bad products of a bad society are the most ugly and repugnant nuns. What usually makes documentaries so easy to understand is the arbitrary limitation of their subject matter. They describe the atomization of social functions and the isolation of their products. One can, in contrast, envisage the entire complexity of a moment which is not resolved into a work, a moment whose movement indissolubly contains facts and values and whose meaning does not yet appear. The subject matter of the documentary would then be this confused totality. Voice 2 The era had arrived at a level of knowledge and technical means that made possible, and increasingly necessary, a direct construction of all aspects of a liberated affective and practical existence. The appearance of these superior means of action, still unused because of the delays in the project of liquidating the commodity economy, had already condemned aesthetic activity, whose ambitions and powers were both outdated. The decay of art and of all the values of former mores had formed our sociological background. The ruling class's monopoly over the instruments we needed to control in order to realize the collective art of our time had excluded us from a cultural production officially devoted to illustrating and repeating the past. An art film on this generation can only be a film on its absence of real creations. Everyone unthinkingly followed the paths learned once and for all, to their work and their home, to their predictable future. For them duty had already become a habit, and habit a duty. They did not see the deficiency of their city. They thought the deficiency of their life was natural. We wanted to break out of this conditioning, in quest of another use of the urban landscape, in quest of new passions. The atmosphere of a few places gave us intimations of the future powers of an architecture it would be necessary to create to be the support and framework for less mediocre games. We could expect nothing of anything we had not ourselves altered. The urban environment proclaimed the orders and tastes of the ruling society just as violently as the newspapers. It is man who makes the unity of the world, but man has extended himself everywhere. People can see nothing around them that is not their own image; everything speaks to them of themselves. Their very landscape is alive. There were obstacles everywhere. There was a cohesion in the obstacles of all types. They maintained the coherent reign of poverty. Everything being connected, it was necessary to change everything by a unitary struggle, or nothing. It was necessary to link up with the masses, but we were surrounded by sleep. Voice 3 The dictatorship of the proletariat is a desperate struggle, bloody and bloodless, violent and peaceful, military and economic, educational and administrative, against the forces and traditions of the old world. Voice 1 In this country it is once again the men of order who have rebelled. They have reinforced their power. They have been able to aggravate the grotesqueness of the ruling conditions according to their will. They have embellished their system with the funereal ceremonies of the past. Voice 2 Years, like a single instant prolonged to this point, come to an end. Voice 1 What was directly lived reappears frozen in the distance, fit into the tastes and illusions of an era, carried away with it. Voice 2 The appearance of events that we have not made, that others have made against us, now obliges us to be aware of the passage of time, its results, the transformation of our own desires into events. What differentiates the past from the present is precisely its out-of-reach objectivity; there is no more should-be; being is so consumed that it has ceased to exist. The details are already lost in the dust of time. Who was afraid of life, afraid of the night, afraid of being taken, afraid of being kept Voice 3 What should be abolished continues, and we continue to wear away with it. We are engulfed. We are separated. The years pass and we haven't changed anything. Voice 2 Once again morning in the same streets. Once again the fatigue of so many similarly passed nights. It is a walk that has lasted a long time. Voice 1 Really hard to drink more. Voice 2 Of course one might make a film of it. But even if such a film succeeds in being as fundamentally disconnected and unsatisfying as the reality it deals with, it will never be more than a re-creation ” poor and false like this botched traveling shot. Voice 3 There are now people who pride themselves on being authors of films, as others were authors of novels. They are even more backward than the novelists because they are unaware of the decomposition and exhaustion of individual expression in our time, ignorant of the end of the arts of passivity. They are praised for their sincerity since they dramatize, with more personal depth, the conventions of which their life consists. There is talk of the liberation of the cinema. But what does it matter to us if one more art is liberated through which Tom, Dick or Harry can joyously express their slavish sentiments The only interesting venture is the liberation of everyday life, not only in the perspectives of history but for us and right away. This entails the withering away of alienated forms of communication. The cinema, too, has to be destroyed. Voice 2 In the final analysis, stars are created by the need we have for them, and not by their talent or lack of talent or even by the film industry or advertising. Miserable need, dismal, anonymous life that would like to expand itself to the dimensions of cinema life. The imaginary life on the screen is the product of this real need. The star is the projection of this need. The images of the advertisements during the intermissions are more suited than any others for evoking an intermission of life. To really describe this era it would no doubt be necessary to show many other things. But what would be the point Better to grasp the totality of what has been done and what remains to be done than to add more ruins to the old world of the spectacle and of memories. 1. This film, which evokes the lettrist experiences at the origin of the situationist movement, opens with shots of the Paris district frequented by the lettrists in the early 1950s.
《終極蜘蛛俠》是 從2010年開始的新系列。以《神奇蜘蛛俠》為藍本，重新開始蜘蛛俠的故事。人物設計也與原版不同，更滿足21世紀的風格。目前連載至160期，大事件“蜘蛛俠之死”已結束。在160期中綠惡魔與Peter Parker（彼得·帕克）互擊而死。此后開始新系列《終極漫畫 全新蜘蛛俠》，主角換為一個拉丁混血的少年。 這動畫絕對要熱播，因為這可能是目前唯一還健在的彼得了！終極蜘蛛俠第二季預告片 S02E01將于美國時間1月21日播出。在終極蜘蛛俠系列動畫中，蜘蛛俠加入了神盾，結識了新伙伴：白虎、新星、神力俠、鐵拳，還擁有了自己的盔甲。還有章魚博士、毒液、綠魔等壞人與他作對。綠魔原是蜘蛛俠的好朋友哈里奧斯本的爸爸，被他的屬下章魚博士注射了 毒液和蜘蛛俠血液的混合體，變成了綠魔。綠魔擁有他的DNA，或者說，綠魔可以算是他創造出來的。 終極蜘蛛俠第二季全集動畫劇情延續第一季后，講述的是小蜘蛛成名以后，被尼克·弗瑞招攬，加入了神盾局。對于各路大英雄來說小蜘蛛實在是渺小，于是招待他的是各種鍛煉測試，務求讓他成為終極蜘蛛俠。
邱英杰是一名民警，工作勤懇，性格溫和。他的妻子于若華是小學教師，善良賢淑，五歲的兒子邱月亮聰明可愛，一家人的生活幸福美滿。 一天，邱英杰的初戀女友王曉紅突然找到他，稱自己無力撫養女兒毛毛，求他幫忙把孩子送到孤兒院去，這令邱英杰非常訝異。經過王曉紅這么一打岔，有些精神恍惚的邱英杰在出警時不慎被一個武瘋子砍傷入院。于若華擔心不已，悄悄托自己的好友陳莉為他換工作。 派出所收留了一個叫棟棟的流浪兒，他始終不肯說出自己的父母和住址，無奈邱英杰暫時把他領回了家，一家人對棟棟十分友善。邱英杰為換工作的事和于若華發生矛盾，于是獨自帶著月亮和棟棟去游樂園玩。其間，邱英杰去抓小偷，當他回來時卻發現月亮不見了。 月亮下落不明，于若華的父母和兄嫂不斷指責邱英杰。邱母不堪打擊，突發腦溢血身亡，邱英杰自責不已。原本怨恨他的于若華卻諒解了丈夫，夫妻兩人在痛苦中互相安慰。陳莉也始終陪伴、幫助著他們。棟棟見狀說出了自己的父親趙志宏的電話，被送回了家。 大家四處尋找月亮但始終沒有結果，一次次失望的打擊令夫妻倆身心疲憊不已。棟棟因父親整日借酒消愁又跑到了邱家。陳莉送棟棟回家時發現他的父親正是自己以前的委托人趙志宏，他官司敗訴后落得傾家蕩產。陳莉過意不去，為他介紹了一份工作。 邱英杰出警抓獲了正在進行不法活動的李強，卻驚訝地發現李強的妻子竟然正是王曉紅。王曉紅和李強因為吸毒早已眾叛親離，如今被捕后他們的女兒毛毛也落得無家可歸。邱英杰不忍心，把毛毛帶回了家，將她的身世如實地告訴了于若華，于若華氣不過跑回娘家，于若華的兄嫂知道后張羅著要將毛毛送給別人家收養。善良的于若華看著這個可憐的孩子又不禁同情起來，幾經掙扎，她還是以寬容之心接納了毛毛，對她悉心照顧。 因為找月亮欠下大筆外債，為了還款邱英杰和于若華無奈之下只得將房子賣出，陳莉見狀讓他們搬到自己家的老房去住。兩人用剩下的錢買了輛 二手車，駕車四處找月亮。一次，因為過于疲倦，邱英杰差點出 車禍。于若華心疼不已，偷偷去學駕駛，受到了駕校同學顧威的熱情幫助。 王曉紅獲釋后將毛毛接回了家，邱英杰放心不下去看毛毛，卻得知王曉紅為了買毒品竟然將毛毛賣掉了。邱英杰和于若華雖然憤怒不已，但還是拿出家里的積蓄送王曉紅去戒毒所戒毒。不久，被賣到山西的毛毛被找到了，邱英杰把她接回了家。棟棟的父親被公司派去上海工作，于若華于是把棟棟也帶回自己家照顧。四個人組成了一個特殊的家庭，生活雖然清苦但也其樂融融。 邱英杰和于若華一面悉心照料著沒有血緣的孩子，一面繼續尋找走失的兒子。邱父提出讓他們再生一個孩子，可就正此時，于若華突然被查出子宮內有非常嚴重的肌瘤需摘除，而這意味著她將失去生育能力。于若華不愿做手術，眾人都為她擔心不已。棟棟和毛毛救于若華心切，傾囊而出卻買到了假藥。但孩子們的苦心還是深深打動了于若華，她終于同意進行子宮摘除手術。 王曉紅戒毒成功后決心改過自新，但找工作頻頻碰壁。在于若華的拜托下，顧威將王曉紅招進了公司，兩人在相處中產生了感情。顧威帶著王曉紅和毛毛去鄉下開始了新生活，在那里他們偶然間發現了月亮的下落。于是邱英杰和于若華在家人及朋友們的陪伴下一起踏上了接子之路……
問政快報（2025.11.03）
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