鐵路護航“雙 11”： 不止是物流提速 更是民生溫度與經濟韌性
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結束了一段破敗的婚姻，干練自強的凱瑟琳（伊麗莎白·蘇 Elisabeth Shue 飾）帶著女兒艾莉莎（詹妮弗·勞倫斯 Jennifer Lawrence 飾）遠離芝加哥，搬到了一處位于州際公園叢林深處的房子居住。這里風光秀美，景色宜人，深得母女二人的歡心。美中不足的是，附近一處住宅四年前曾經發生慘絕人寰的殺人案件，失蹤的女兒更成為當地人口中盤桓不去的幽怨鬼魂，這一切令人不免心懷惴惴。未過多久，心情煩亂的艾莉莎結識了那戶悲劇人家幸存的獨子瑞恩（馬克斯·希爾萊耶 Max Thieriot 飾）。 短暫的交流讓艾莉莎隱隱從瑞恩的身上找到些許認同感，卻不知這名看似敏感纖細的男孩，心中隱藏著怎樣黑暗的秘密……
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A loving film tribute to Russian filmmaker Larisa Shepitko, who died tragically in a car accident in 1979 at the age of 40. This documentary by her husband, Elem Klimov, includes excerpts from all of Shepitko's films, and her own voice is heard talking about her life and art. Elem Klimov's grief-stricken elegy Larisa examines the life of his late wife—the film director Larisa Shepitko—through a series of direct-address interviews and photomontages, set against a mournful visual-musical backdrop. Typically, Klimov films his subjects (which include himself and several of Shepitko's collaborators) within a stark, snow-covered forest, its tangled web of trees standing in as metaphorical representation of a perhaps inexpressible suffering, the result of Shepitko's premature death while filming her adaptation of Valentin Rasputin's novella Farewell to Matyora. Interweaving home movie footage with sequences from Shepitko's work (Maya Bulgakova's pensive plane crash reminiscence from Wings takes on several new layers of resonance in this context), Larisa's most powerful passage is its first accompanied by the grandiose final music cue from Shepitko's You and I, Klimov dissolves between a series of personal photographs that encompass Larisa's entire life, from birth to death. This brief symphony of sorrow anticipates the cathartic reverse-motion climax of Klimov's Come and See, though by placing the scene first within Larisa's chronology, Klimov seems to be working against catharsis. The pain is clearly fresh, the wound still festering, and Klimov wants—above all—to capture how deep misery's knife has cut.
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這部由中影投拍、古榕執導的影片以奧運建設熱潮為背景，講述了歸國建筑設計師鄧江濤（蘇可飾）因為一次偶然的事故，從事業巔峰跌到低谷，又在萍水相逢的女司機黃若蘭（姚笛飾）的幫助下從頭再來，東山再起的故事。紅樓選秀中，姚笛展現了大家閨秀的貴氣，但在《從頭再來》中卻扮演草根出身的出租車司機，姚笛坦承角色轉變很大：“要一下子從寶釵轉換成出租車司機，難度比較大，需要把以前寶釵的‘范兒’全扔掉。”姚笛表示，特別喜歡這種和自己反差大的角色，“反差越大，越能磨煉演技。”影片《從頭再來》將于11月上映。
（總臺央視記者 歐洲無碼色）?
