【文化進萬家】“魅力海倫 藝彩飛揚”海倫路街道老年大學秋季班開學啦！
第十四屆中國藝術節將于10月15日在成都開幕
《潛行者2》1.4版更新補丁發布 進一步完善動態游戲世界
Due to some common interests between German and Russian aristocracy ( the Russians even had aristocrats in their past not to mention they had an Empress called Catherine the Great, as great as this German count's heiresses… ), it is not strange that this Teutonic count has understood and even enjoyed Herr S. M. Eisenstein's Staroye I Novoye. It is not very usual that for the aristocracy to enjoy Bolshevist films full of proletarian demands that put private property at risk or as it happens in this case, a film about the Communist Party's policy on the subject of the collectivization of the Soviet agriculture. Normally this would be perfect gibberish for this German count, but thanks to Herr Eisenstein 's greatness and directorial talent, the hardships of the heroine of the film, Dame Marfa ( Dame Marfa Lapkina ) breached even the thick aristocratic Schloss walls. And that's one of the first remarkable aspects of this oeuvre; in spite of the political subject of the film, the powerful images and lyricism ( astonishing and beautiful shot compositions ), especially during the first part of the movie, preserve the artistic merits entirely while serving a propaganda purpose. The second remarkable aspect of the film is the dichotomy between the old and new, the fight to improve the lot of Dame Marfa and her countrymen. There are many discussions because it is not easy even in Russia to change ancient and conservative customs. There are superb metaphors and social criticism ( illiteracy, bureaucracy, religiosity ) which perfectly fit the film, and last but not least, Staroye I Novoye, is a kind of archaic documentary about ancient customs established deeply in old Russia, those ones that our heroine must fight against. And there is also a lot about agriculture ( very enlightening for this German count), especially about harvesting and how to fatten Russian cows or pigs ( literally, no pun here… ). Herr Eisenstein had to bear during the last era of his film career, unbelievable censorship and mutilation of his work, as happens with Staroye I Novoye. The film was reedited and Eisenstein accused of sympathizing with Trostky's policies but fortunately the film was restored and showed by the German-frenchified t.v. channel ARTE, natürlich!, including an evocative music score by Herr Taras Bujewski, that fits superbly Herr Eisenstein primal artistic interests. And now, if you'll allow me, I must temporarily take my leave because this German Count must buy a tractor for one of his Teutonic heiress.
從內容出海到體驗出海，閱文首個“IP樂園”落地新加坡環球影城
房產登記在親友名下風險多：為避限購借名買房 兄弟對簿公堂
“閩派”文藝系列訪談 李豫閩：讓民間文藝煥發新光彩！
翟若云“砍”下39分 山西女籃搭上全運會“末班車”
文化中國行｜吉林省音樂廳：匠心雕琢藝術殿堂
本劇講述了日本屈指可數的大型醫院“天堂紀念醫院”的董事長兒子天堂海斗，因與父親關系不和，沒有成為醫生，而是在出版社作為周刊雜志的記者。在求婚之前，他聽說父親被卷入了事件，于是就前往了天堂紀念醫院。以此為契機，知道了父親的本意的海斗，為了取回父親構筑的重要之物，也為了保護所愛之人，決心與大型醫院的權力作斗爭…