《太陽山上》原著季宇：我希望這部作品實至名歸
金融知識進社區！民生銀行濟南分行營業部中鐵逸都社區支行守護居民“錢袋子”
突然眼前一黑可能是身體在求救暈厥背后暗藏健康隱患，別忽視！
小鵬MONA M03 Max12.98萬元起，搭載圖靈AI智駕
Fourteen-year-old Farha dreams of attending school in the city with her best friend Farida, but she knows that, as the daughter of the mukhtar (the head of the village, played by Ashraf Barhom), she is in for an uphill battle against tradition. Girls Farha’s age are expected to marry. It’s 1948, and British control over Palestine is coming to an end. What Farha and her father do not yet know is that forced displacements are already happening across the region. When Israeli bombs reach their village, Farha’s father locks her in the cellar of their home, promising to return as soon as he can. While Farha waits and watches through the cracks, the village she was so excited to leave is transformed to ruin, threatening an end to the future she had planned and leaving only trace memories in its wake. A dauntless and compelling feature debut by Jordanian filmmaker Darin J. Sallam, Farha captures both the isolating terrors of war and the lingering beauty that can colour recollections of dispossession — a mental record of the last laugh shared, the faint smell of freedom before the void of exile. An impressive lead performance from newcomer Karam Taher punctuates catastrophic loss with uncompromising determination. In this remarkable and devastating story, Sallam’s resonant directorial voice presents a penetrating perspective on the Nakba and returns the gaze to a cultural legacy in the midst of a global resurgence.
Mia recounts her most intimate confessions, uncensored, in her first approach to a totally new world
電影《刺殺小說家2》發布“動真格了”動作特輯 全員打戲見真章幕后也熱血
“車到哪里了，一掃便知”——“濰坊公交云站牌”服務上線了
“AI時代中國文字設計的開源型創新人才培養匯報展”在北京舉辦
在村超球場他們成了最珍貴的客人