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Synopsis Do-seong (Yoo Min) is a child monk who lives at a small mountain temple with the head monk (Byeon Ki-jong), learning the teachings of Buddha. He becomes attached to a young widow (Choi Eun-hee) who comes to pray at the temple, and the childless widow entreats the head monk to let her raise Do-seong as her own son. Conflict ensues when Do-seong's real mother (Kim Seon-young) appears, but she leaves the temple for the sake of her son's future. On the day the widow is to take the child down from the mountain, the head monk discovers that Do-seong has killed a bird by ensnaringit in a trap and decides not to let the boy go into the secular world. When Do-seong finds out that his real mother has been to the temple, he sets out to find her. Notes A film that has garnered recognition for its cinematography and direction by eliminating sentimentality and unaffectedly capturing the quiet life of a mountain temple. A Hometown in Heart demonstrates the camera technique and directorial skill of movies that appeared after the liberation of Korea. A Hometown in Heart, adapted from playwright Ham Se-deok's A Little Monk (Dong-seung), was hailed upon its release as a masterpiece that marked a new pinnacle in Korean moviemaking after the liberation. Eschewing new-school sentimentality to quietly express a boy's longing for maternal love, the film unfolds the everyday lives of three generationsthe head monk, a young monk, and a little child monkagainst the backdrop of a quiet temple in the mountains. The long shots utilized by director of cinematography Han Hyung-mo to capture the beautiful scenery of the mountain temple from a distance received great critical acclaim at the time. Also, each of the film's characters is convincingly portrayed through the skillful direction of Yoon Yong-kyu. In particular, the scene which expresses Do-seong's desperate yearning for a mother's love and his birth mother's past visit to the temple by combining them into a dream sequence reveals deep consideration for articulating story and emotion via a compressed visual grammar without tending toward sentimentalism. The movie's final scene, in which Do-seong awakens from his dream and sets off down the path in search of his mother, is both touching and beautiful. The film also features Choi Eun-hee, in the part of the young widow who warmly embraces Do-seong with her love, in one of her first roles. Afterword - Lee Kang-su, writing under the pseudonym of Kwak Il-byeong, first adapted playwright Ham Se-deok's A Little Monk (Dong-seung) into a screenplay, which was then shot for the silver screen with additional embellishments by the director.
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富田誠（田中圭 飾）和稻葉麻美（北川景子 飾）是一對相戀許久、情投意合的公司情侶，這一天匆忙趕去商務洽談的富田不慎將手機忘在出租車上，一連串危險的故事就此上演。麻美通過電話聯系上了拾到手機的人，對方約定將手機放在某個咖啡館，由麻美自行取回。失而復得令富田和麻美都感到分外高興，可是卻未料到那個拾到手機的人卻分別入侵了二人的手機，不斷收集他們個人信息的同時，也在故意攪亂著他們的生活。另一方面，荒無人煙的深山老林相繼挖出5具年輕女性的尸體，她們無一例外擁有黑色長發，而且死前不僅被剃去一縷頭發，腹部還遭到銳器連續致命攻擊。 變態兇手躲在黑暗深處，悄悄露出爪牙……
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