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《樂隊》以一個女孩的視角和經歷出發，講述了她與一支年輕樂隊之間發生的種種交匯、碰撞、糾葛，揭示出了現如今中國年輕一代在面對西方文化沖擊時所表現出的盲目向往而矛盾困惑的真實內心世界。

淄博市圖書館2025年已入館超300萬人次 全民閱讀蔚然成風

In a confused welter of artistic licence, this is the classical music biopic which makes 'Song to Remember'look like a masterpiece. Bogarde succeeds in diminishing the reputation of the musical colossus who spanned European music for most of the 19th Century. The absurdities of the plot, the sequoia-like quality of the acting and the prevalence of historical,musical and linguistic anachronisms combine to elevate this offering to the status of an A1 turkey.How a pianist of the stature of Bolet came to be mixed up in this fiasco can only be guessed at. The characterisation of Liszt fails to convey even a minute impression of his magnetic personality and the overwhelming effect that he had on not only his audiences, but also his pianistic rivals.Clara Schumann herself said that 'we toil over that which Liszt reads at sight!' Whilst the emphasis seems to focus on his romantic prowess,rather than his status as the greatest pianist of the century or,arguably, of all time, one feels,nevertheless, that this was an opportunity lost.

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冰寒大地，惡龍肆虐。每到特定日子，人們必須獻祭出美麗的女孩，讓其成為惡龍的 “新娘”。勇敢的屠龍者歷經千辛萬苦，憑著對女孩的真愛找到龍的巢穴，將惡龍殺死，這 片土地也因此恢復平靜。 數十載后，殘暴惡龍與勇敢屠龍者的故事已經成為傳說。這天，美麗的公爵小女兒米拉（瑪利亞·波茲哈娃 Mariya Poezzhaeva 飾）即將舉行盛大婚禮。屠龍者族人們在婚禮上唱起了龍之歌，不料此舉竟喚醒了惡龍。新娘米拉被惡龍擄走，遺落在荒無人煙的遺骸島。在島上，她遇到一個神秘人阿爾曼（馬特維·雷科夫 Matvey Lykov 飾），然而米拉發現，這個有著人類軀體的男子，竟然就是掠奪自己的惡龍。隨后米拉與阿爾曼在島上開始 生活，米拉漸漸的改變了阿爾曼的龍性。不料阿爾曼怕自己變成龍傷害米拉，假裝趕走米拉，米拉在海上漂泊被未婚夫救走，婚禮即將再次舉行。

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