三河市抗美援朝老兵向中國共產黨歷史展覽館捐贈珍貴資料
組織上將梁大川調任雙河縣紀檢委書記，原本是想給他換一個工作環境，遠離是非的旋渦，畢竟在夏縣工作的時間不短，這期間為維護人民群眾的利益，大川得罪的人太多。如今兒子因在遭罪犯家屬綁架中留下自閉癥不說，妻子孫敏還時常從噩夢中驚醒。 但梁大川是黨培養多年的干部，不是那種眼里揉得 進沙子、看著不平事不管的人。出任雙河縣紀檢委書記不久，大量的上訪信中一個叫鄭來福的多次來信引起了大川的注意。聽信訪辦谷主任介紹，這個鄭來福是因為三年前兒子不幸死于煤窯塌方后，八萬元的賠償款卻被法院當作兒子鄭文亮欠下的外債強制執行而屢屢上訪。 鄭來福的攔路喊怨引起了縣委夏書記的高度重視。在對鄭來福反映的問題進行調查中，梁大川意外地發現縣法院法警隊隊長李長林被卷了進來。李長林是縣里樹立的一個典型、多年的先進，最近還被當作法院副院長人選接受組織部門的考察。但盡管如此，大川還是忘了在夏縣工作...
利維亞的杰洛特是一名變異的怪物獵人，他受雇調查海邊村莊發生的一系列襲擊事件，并卷入了人類與人魚之間長達數個世紀的沖突之中。他必須依靠新老朋友的幫助，解開謎團，以免兩個王國之間的敵對狀態升級為全面戰爭。
Due to some common interests between German and Russian aristocracy ( the Russians even had aristocrats in their past not to mention they had an Empress called Catherine the Great, as great as this German count's heiresses… ), it is not strange that this Teutonic count has understood and even enjoyed Herr S. M. Eisenstein's Staroye I Novoye. It is not very usual that for the aristocracy to enjoy Bolshevist films full of proletarian demands that put private property at risk or as it happens in this case, a film about the Communist Party's policy on the subject of the collectivization of the Soviet agriculture. Normally this would be perfect gibberish for this German count, but thanks to Herr Eisenstein 's greatness and directorial talent, the hardships of the heroine of the film, Dame Marfa ( Dame Marfa Lapkina ) breached even the thick aristocratic Schloss walls. And that's one of the first remarkable aspects of this oeuvre; in spite of the political subject of the film, the powerful images and lyricism ( astonishing and beautiful shot compositions ), especially during the first part of the movie, preserve the artistic merits entirely while serving a propaganda purpose. The second remarkable aspect of the film is the dichotomy between the old and new, the fight to improve the lot of Dame Marfa and her countrymen. There are many discussions because it is not easy even in Russia to change ancient and conservative customs. There are superb metaphors and social criticism ( illiteracy, bureaucracy, religiosity ) which perfectly fit the film, and last but not least, Staroye I Novoye, is a kind of archaic documentary about ancient customs established deeply in old Russia, those ones that our heroine must fight against. And there is also a lot about agriculture ( very enlightening for this German count), especially about harvesting and how to fatten Russian cows or pigs ( literally, no pun here… ). Herr Eisenstein had to bear during the last era of his film career, unbelievable censorship and mutilation of his work, as happens with Staroye I Novoye. The film was reedited and Eisenstein accused of sympathizing with Trostky's policies but fortunately the film was restored and showed by the German-frenchified t.v. channel ARTE, natürlich!, including an evocative music score by Herr Taras Bujewski, that fits superbly Herr Eisenstein primal artistic interests. And now, if you'll allow me, I must temporarily take my leave because this German Count must buy a tractor for one of his Teutonic heiress.
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