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時代畫卷《依依向北風》啟幕，藍暄演繹質樸年代真情擔當

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中國國防部：澳方在南海蓄意侵權挑釁 中方已提嚴正交涉

位于就上海法租界的馬思南路監獄，羈押著巡捕房探長鐘朗（鐘漢良 飾）及其搭檔韓非（釋小龍 飾）、醫科大學女教授于勝男（齊芳 飾）聯手抓捕的割喉殺人狂魔余利本（廉賽 飾）。在余魔即將送上刑場的前一天，他強

政企協同繪就體教融合新圖景

The lines start with “O Somma Luce” which is the title of the film and also the 67th line of the 33rd canto in “Paradiso” of Dante’s “Divine Comedy” to the end of “Paradiso”. The film is completed with music and lines instead of emotions and narrations. This is a recent attempt to combine film with literature. The film begins with a black screen and the music of Edgard Varese. The BGM is “Deserts” that was recorded in 1954. After some moments of darkness, the music ends and a middle-aged man sits on a hill, reciting something. He is Giorgio Passerone, an Italian literature professor, and he is reading out of the last part of ‘Paradiso’ of Dante’s Divine Comedy. Jean-Marie Straub expressed how he thinks of Dante through a subtle accent and dialect. The director who had encoded many great artists and musicians including Bach, complete the combination of Dante and Varese, which could seem strange. (Lim Kyung Yong)