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Chronicles a family's hopeful battle to stay together as personal demons and destructive secrets threaten to rip them apart.

本片講述了在2020年初的新冠疫情下，小創業者高源本就經營吃力的小公司更加雪上加霜，這也不能阻擋夢想“發電”的高源復工熱 情信心滿滿，但是員工、債主好幾個壓力“雷管”都已經開始 引爆導火線；今天是每月15號這個“發工資日”高源信誓旦旦 的準備了好幾個大招來迎接這一天的戰斗，沒想卻接連被自己 全部搞砸了，更想不到的這才是她噩夢的開始，她居然被困在 15號這天了，面對人生被意外按下的暫停鍵，高源開始放飛自 我，大鬧人生，在一遍遍重復中高原卻意外一層層剝開了自己內心，在意外觸發了重啟按鈕后，高源終于到了16號，也迎來了自己真正意義的重生。

Fourteen-year-old Farha dreams of attending school in the city with her best friend Farida, but she knows that, as the daughter of the mukhtar (the head of the village, played by Ashraf Barhom), she is in for an uphill battle against tradition. Girls Farha’s age are expected to marry. It’s 1948, and British control over Palestine is coming to an end. What Farha and her father do not yet know is that forced displacements are already happening across the region. When Israeli bombs reach their village, Farha’s father locks her in the cellar of their home, promising to return as soon as he can. While Farha waits and watches through the cracks, the village she was so excited to leave is transformed to ruin, threatening an end to the future she had planned and leaving only trace memories in its wake. A dauntless and compelling feature debut by Jordanian filmmaker Darin J. Sallam, Farha captures both the isolating terrors of war and the lingering beauty that can colour recollections of dispossession — a mental record of the last laugh shared, the faint smell of freedom before the void of exile. An impressive lead performance from newcomer Karam Taher punctuates catastrophic loss with uncompromising determination. In this remarkable and devastating story, Sallam’s resonant directorial voice presents a penetrating perspective on the Nakba and returns the gaze to a cultural legacy in the midst of a global resurgence.

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