佳紀和光住在鄉下小村莊，兩人一起長大，從小形影不離。 燠熱難當的艷陽。 此起彼落的蟬鳴。 回家路上的冰淇淋。 那天，一個再完美不過的平凡夏日，他們隨口閑聊，哈哈大笑。 佳紀忽然轉頭問光：“其實你不是光吧？” 六個月前，光在山里走失，一星期后離奇歸來。 這個光的容貌和言語都與原本的光別無二致，但他體內有某種不太對勁的東西在騷動。 “光已經不在了，那樣的話，你……” 佳紀繼續與那個模仿光的“東西”相處，假裝一切都沒有改變。 然而，村莊里卻開始怪事頻傳。 漸漸墜入某個未知的“東西”…… 以成長為主題的恐怖故事拉開序幕。
杭州、溫州等地公安機關，公開通緝100名電信網絡詐騙犯罪在逃金主和骨干人員
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A comic celebration of dreamers and their dreams, LIVING IN OBLIVION is the second film written and directed by Tom DiCillo. With a tone that teeters somewhere between Kafka and the Marx Brothers, it chronicles the hilarious misadventures of a group of people who have joined together to accomplish one of the most difficult goals imaginable - the making of a low-budget independent film. With an innovative and surprising structure that shifts fluidly between the movie being made and those making it, the film offers a rare and accurate -- if comically heightened -- look behind-the-scenes, with the people who make the scenes. How they make them -- and the fact that they manage to make them at all -- is what LIVING IN OBLIVION is all about. Starring Steve Buscemi as director Nick Reve, LIVING IN OBLIVION highlights a day on the set of Nick's film where everything that could possibly go wrong, actually does. Struggling against ever-escalating odds to maintain his integrity and his sanity, Nick is both helped and hindered by his bumbling, if well-intentioned crew, headed by his cinematographer Wolf (Dermot Mulroney), a cameraman whose leather gear suggests that he is more inspired by Billy Idol than Sven Nykvist; a leading lady, Nicole (Catherine Keener), a talented but neurotic actress who is involved in a romance and a rivalry with her leading man, Chad Palomino (James Le Gros); an iron-willed assistant director, Wanda (Danielle Von Zerneck); and, for the first time ever on-screen, a Gaffer.
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