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In a confused welter of artistic licence, this is the classical music biopic which makes 'Song to Remember'look like a masterpiece. Bogarde succeeds in diminishing the reputation of the musical colossus who spanned European music for most of the 19th Century. The absurdities of the plot, the sequoia-like quality of the acting and the prevalence of historical,musical and linguistic anachronisms combine to elevate this offering to the status of an A1 turkey.How a pianist of the stature of Bolet came to be mixed up in this fiasco can only be guessed at. The characterisation of Liszt fails to convey even a minute impression of his magnetic personality and the overwhelming effect that he had on not only his audiences, but also his pianistic rivals.Clara Schumann herself said that 'we toil over that which Liszt reads at sight!' Whilst the emphasis seems to focus on his romantic prowess,rather than his status as the greatest pianist of the century or,arguably, of all time, one feels,nevertheless, that this was an opportunity lost.

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李南夢離奇跌?了“劇本殺”,成為了游戲中的角色“流浪?男孩”并且接到了游戲系統發布的任務:她必須用自己的游戲角色贏得游戲勝利,才能回到現實世界。李南夢必須還原游戲中的案件真相,抓住兇手。求勝?切的李南夢立志贏得游戲,卻偏偏在游戲世界中碰到了和前男友模樣相同的游戲角色:崔之世。在與崔之世的在一次次驚險遭遇中,她漸漸放下對前男友的芥蒂,與崔之世相知相戀,成為了一對“歡喜冤家”。
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