新泰市中醫醫院：“莫讓花開早，綻放應在季”——兒童性早熟的規范診療與預防
“2025青島之夏”汽車消費補貼活動已啟動：讓消費者和企業受益，促進汽車消費提檔升級
聚焦十五運會 吉林名將李春輝女子800米勇奪銀牌
濟南人工智能核心產業規模達482億元，位列中國人工智能城市排行榜第八
上合峰會城市巡禮 走進“草原明珠”阿斯塔納
南京藍，南京燃
建設銀行泰安肥城支行：銀警聯動筑防線 阻止詐騙挽損失
盤和林：備戰“十一”消費高峰，平臺用AI重塑購物邏輯
35批次藥品不符合規定 涉乙酰氨基酚片等
Veteran experimental filmmakers Danielle Huillet and Jean-Marie Straub helmed this unusual adaptation of a novel by Elio Vittorini. Focused on the triumphs and failures of a group of laborers and farm hands who pooled their resources to operate an alternative collective farm after the end of World War II, Operai, Contadini features a cast of 12 actors who read aloud from Vittorini's book for the duration of the film, either reciting from memory or using a clearly visible script. Hardly designed to be a crowd pleaser, Operai, Contadini proved to be controversial among the audiences for its showings at the 2001 Cannes Film Festival, where it was screened as part of the Directors' Fortnight series. ~ Mark Deming, All Movie Guide The group makes up a primitive community which seeks to erase not only the distress created by the war but also the hardships of life and hunger, and to protect them from violence, misery and fear. Amid the ruins of this post-war period, the characters build and invent a rapport both in their professional and daily lives between themselves, the sexes, generations, diverse social and geographical origins, and antagonistic political camps. The group maintains a 'register', a kind of diary, as if it were entering the minutes of an inquiry or a trial. -Steve Grayson my favorite Straub-Huillet films are Too Early, Too Late and Operai, contadini (2001), both color landscape films with especially acute senses of place as well as of nature in all its harsh beauty. - Jonathan Rosenbaum