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德川幕府時期，因厭倦無休止的殺戮，崇尚自由的伊賀忍者卡姆依（松山ケンイチ 飾）選擇逃亡，他也因此遭到昔日戰友們的無休止的追殺。某日，在躲避松山領主水谷軍兵衛（佐藤浩市 飾）追殺的過程中，卡姆依結識了砍斷領主馬腿的漁夫半兵衛（小林薫 飾），并隨之回到辛島隱藏。半兵衛的妻子沙耶香（小雪 飾）曾經也是一名逃往忍者，卡姆依的到來令她心存戒備。不久，半兵衛遭鄰人告發，被領主抓走準備處死。卡姆依和沙耶香合作闖入刑場拯救半兵衛。而這次行動也引起了一直追查他們行蹤的伊賀忍者的的注意，宿命之戰在所難免…… 本片根據日本漫畫家白土三平的同名原著的第二部改編。
Since 1977, Sam Klemke has been recording himself on film, the #selfieavantlalettre. In that same year, NASA launched the Voyager with the Golden Record. Whereas NASA primarily sketches a positive picture of humanity, Klemke's honest self portraits zoom in on the individual. A special film about time, memory and what it means to be human. ‘This year will be my year, it has to be!’ Since 1977, Sam Klemke - a pioneer status updater - has looked back on ‘his year’ using video. With the illusion of progress, he hopes to encourage ‘personal growth and improvement’. Documentary maker Matthew Bate met Klemke on Facebook and became acquainted with his video 35 Years Back Through Time, a super-cut in which Klemke counts backwards from 2011 to his ambitious teenage self. Intrigued by this obsessive film project, Bate used Klemke's personal archive to create a documentary collage that feels like an intimate road trip, with Klemke providing valuable lessons about time. Along the way, he dismantles the dream of success and happiness. Klemke's self-mockery and honesty give the whole thing a light, breezy feel. Through this, Bate interweaves NASA’s Golden Record Project which, just like Klemke’s video project, was launched in 1977. This juxtaposition creates a reflection in which Bate sketches the comprehension of time and self-documenting stories as an inherent human need.
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