南京“秋糖”夜,火樹銀花開

南京“秋糖”夜,火樹銀花開
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A loving film tribute to Russian filmmaker Larisa Shepitko, who died tragically in a car accident in 1979 at the age of 40. This documentary by her husband, Elem Klimov, includes excerpts from all of Shepitko's films, and her own voice is heard talking about her life and art. Elem Klimov's grief-stricken elegy Larisa examines the life of his late wife—the film director Larisa Shepitko—through a series of direct-address interviews and photomontages, set against a mournful visual-musical backdrop. Typically, Klimov films his subjects (which include himself and several of Shepitko's collaborators) within a stark, snow-covered forest, its tangled web of trees standing in as metaphorical representation of a perhaps inexpressible suffering, the result of Shepitko's premature death while filming her adaptation of Valentin Rasputin's novella Farewell to Matyora. Interweaving home movie footage with sequences from Shepitko's work (Maya Bulgakova's pensive plane crash reminiscence from Wings takes on several new layers of resonance in this context), Larisa's most powerful passage is its first accompanied by the grandiose final music cue from Shepitko's You and I, Klimov dissolves between a series of personal photographs that encompass Larisa's entire life, from birth to death. This brief symphony of sorrow anticipates the cathartic reverse-motion climax of Klimov's Come and See, though by placing the scene first within Larisa's chronology, Klimov seems to be working against catharsis. The pain is clearly fresh, the wound still festering, and Klimov wants—above all—to capture how deep misery's knife has cut.
萬般人生皆是法相,不如好好體會個中滋味!!! 我可是見過你全身的人 你就不怕我把持不住啊!!
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成色版抖音9|免費: 解鎖你的短視頻創作新秘籍年近不惑的翟耀東(王千源 飾)是一名公司小職員,歷經N次相親,如今還是孤家寡人。母親(李明啟 飾)借房屋拆遷補償再次催兒子,耀東只好在報上刊登了征婚啟事。應征者叫徐競男(邢宇菲 飾),長相漂亮且落落大
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