桓臺縣“漁洋潤心”大中小學思政課一體化共同體成立
中意人壽：以政策紅利，繪就安心養老與健康守護新圖景
從歷史邏輯中感知習近平俄羅斯之行
領克Z20申報圖曝光 換裝低功率驅動電機
中國駐歐盟使團發言人就歐洲議會議員竄臺答記者問
The subject of Danièle Huillet and Jean-Marie Straub’s Der Tod des Empedokles (The Death of Empedocles, 1987) is the Greek pre-Socratic philosopher Empedocles (c. 490 BC – 430 BC), who lived in the Greek colony of Agrigentum in Sicily. His theories are mentioned in several of Plato’s dialogues. He maintained that all matter is made up of four irreducible elements water, earth, air and fire. A mystic and a poet, he is considered to be the founder of classical rhetoric. He is also thought to be the last Greek philosopher to write in verse; two fragments of his works survive Katharmoi (Purifications) and Peri Phuse?s (On Nature). An advocate of democracy, he came into conflict with his fellow citizens of Agrigentum and, as result, was banished with his young disciple, Pausanius. When he was asked to return, he preferred to commit suicide by throwing himself into the active volcano at Mount Aetna. The German writer Friedrich H?lderlin wrote two versions of Der Tod des Empedokles in 1798 and 1800, and a final third version in 1820, all three ultimately unfinished. They were conceived as five-act tragedies and all three differ in plot. According to Michael Hamburger, H?lderlin’s English-language translator, the main reason why H?lderlin finished no version of the play must be that he remained too closely identified with Empedocles, at the very period in his life when his own view of the poet as philosopher, prophet and priest – and as tragic hero – was subject to perpetual crisis and re-examination. Huillet-Straub’s The Death of Empedocles is based on H?lderlin’s first version (the longest of the three), whereas Black Sin is based on the third version.
乍得西南部發生暴力沖突，致18死17傷
鋼鐵駝隊再西進：中歐班列開啟亞歐合作新篇章
楊斯《沉默的榮耀》表現亮眼 演技精湛塑造鮮活竇太太
倍元氣鮮阿膠上市：以“元氣密碼”養出健康好氣色