航司“鎖座”成慣例，便民服務淪為斂財生意？-中國吉林網
【地評線】長白時評：從乘用車品牌行業之首，探尋紅旗品牌發展密鑰-中國吉林網
Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy... Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time. Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as Fran?ois Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma fran?ais in 1958. Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading. Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.
農行臨沭店頭支行：殘幣兌換解民憂 暖心服務獲好評
因為太好看，不玩都要買的5款皮膚，甄姬有兩款，游龍清影太仙了
東城中醫醫院針灸科王丙臣：“舒壓安神推拿”——讓失眠人重新學會入睡
庫馬爾（庫梅爾·南賈尼 Kumail Nanjiani 飾）出生在一個非常傳統的巴基斯坦家庭之中，成年后，他選擇成為了一名喜劇演員。在一場單口表演中，庫馬爾邂逅了名為艾米麗（佐伊·卡贊 Zoe Kazan 飾）的女孩，本以為的一夜激情竟然從暗夜蔓延到了白天，最終，他們發現彼此就是一直在尋找的另一半，兩人走到了一起。 然而，庫馬爾的家人要求他遵循巴基斯坦包辦婚姻的傳統，為他相中了一個穆斯林女孩，催他回老家結婚。與此同時，一場詭異的怪病襲擊了艾米麗，令她陷入了昏迷之中。庫馬爾選擇和艾米麗的家人們站在一起，共同度過這難關，與此同時，他還要抵御來自自己父母的步步緊逼。
1967年，在非洲的扎伊爾莫他巴河谷，美國的雇傭軍兵營中被一種突如其來的疾病肆虐，死亡人數不斷攀升。軍醫抽取感染血樣離開后，整個軍營被炸彈摧毀，附近樹林中的白臉猴發出陣陣驚叫聲…… 直到90年代，一個美國年輕人在非洲扎伊爾捕捉到一只小白臉猴，并帶回國出售。由于不合買主要求，年輕人將猴子放生，之后一種新型疾病在舊金山的香柏溪鎮上蔓延。美國傳染病研究所上校軍醫山姆（達斯汀·霍夫曼 Dustin Hoffman飾）接到消息，與妻子（蕾妮·羅素 Rene Russo 飾）及同事立刻展開研究和救治工作。由于疾
廣州新市醫院癲癇專科：多學科協作與個體化診療，點亮希望之光
巴基斯坦副總理：對印軍事行動是自衛，適當時候會結束